Tall narrow spaced vertical floor-to-ceiling windows offset the long horizontal shape of the Crescent perimeter. The minimalist cable railing around the perimeter allows for less visual interference.

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The bold Schumacher “Hand of Fatima” pattern on the back pillows is the dominant fabric and represents the feminine aspect, while the linear fabrics by Osborne & Little represent the masculine aspect.

Phillip Jeffries, wallpaper

James Leonard, artist